# phpman > man > ffmpeg-bitstream-filters(1)

[FFMPEG-BITSTREAM-FILTERS(1)](https://www.chedong.com/phpMan.php/man/FFMPEG-BITSTREAM-FILTERS/1/markdown)                                              [FFMPEG-BITSTREAM-FILTERS(1)](https://www.chedong.com/phpMan.php/man/FFMPEG-BITSTREAM-FILTERS/1/markdown)



## NAME
       ffmpeg-bitstream-filters - FFmpeg bitstream filters

## DESCRIPTION
       This document describes the bitstream filters provided by the libavcodec library.

       A bitstream filter operates on the encoded stream data, and performs bitstream level
       modifications without performing decoding.

## BITSTREAM FILTERS
       When you configure your FFmpeg build, all the supported bitstream filters are enabled by
       default. You can list all available ones using the configure option "--list-bsfs".

       You can disable all the bitstream filters using the configure option "--disable-bsfs", and
       selectively enable any bitstream filter using the option "--enable-bsf=BSF", or you can
       disable a particular bitstream filter using the option "--disable-bsf=BSF".

       The option "-bsfs" of the ff* tools will display the list of all the supported bitstream
       filters included in your build.

       The ff* tools have a -bsf option applied per stream, taking a comma-separated list of
       filters, whose parameters follow the filter name after a '='.

               ffmpeg -i INPUT -c:v copy -bsf:v filter1[=opt1=str1:opt2=str2][,filter2] OUTPUT

       Below is a description of the currently available bitstream filters, with their parameters,
       if any.

   **aac**___**adtstoasc**
       Convert MPEG-2/4 AAC ADTS to an MPEG-4 Audio Specific Configuration bitstream.

       This filter creates an MPEG-4 AudioSpecificConfig from an MPEG-2/4 ADTS header and removes
       the ADTS header.

       This filter is required for example when copying an AAC stream from a raw ADTS AAC or an
       MPEG-TS container to MP4A-LATM, to an FLV file, or to MOV/MP4 files and related formats such
       as 3GP or M4A. Please note that it is auto-inserted for MP4A-LATM and MOV/MP4 and related
       formats.

   **av1**___**metadata**
       Modify metadata embedded in an AV1 stream.

       **td**  Insert or remove temporal delimiter OBUs in all temporal units of the stream.

           **insert**
               Insert a TD at the beginning of every TU which does not already have one.

           **remove**
               Remove the TD from the beginning of every TU which has one.

       **color**___**primaries**
       **transfer**___**characteristics**
       **matrix**___**coefficients**
           Set the color description fields in the stream (see AV1 section 6.4.2).

       **color**___**range**
           Set the color range in the stream (see AV1 section 6.4.2; note that this cannot be set
           for streams using BT.709 primaries, sRGB transfer characteristic and identity (RGB)
           matrix coefficients).

           **tv**  Limited range.

           **pc**  Full range.

       **chroma**___**sample**___**position**
           Set the chroma sample location in the stream (see AV1 section 6.4.2).  This can only be
           set for 4:2:0 streams.

           **vertical**
               Left position (matching the default in MPEG-2 and H.264).

           **colocated**
               Top-left position.

       **tick**___**rate**
           Set the tick rate (_num_units_in_display_tick_ _/_ _time_scale_) in the timing info in the
           sequence header.

       **num**___**ticks**___**per**___**picture**
           Set the number of ticks in each picture, to indicate that the stream has a fixed
           framerate.  Ignored if **tick**___**rate** is not also set.

       **delete**___**padding**
           Deletes Padding OBUs.

### chomp
       Remove zero padding at the end of a packet.

   **dca**___**core**
       Extract the core from a DCA/DTS stream, dropping extensions such as DTS-HD.

   **dump**___**extra**
       Add extradata to the beginning of the filtered packets except when said packets already
       exactly begin with the extradata that is intended to be added.

### freq
           The additional argument specifies which packets should be filtered.  It accepts the
           values:

           **k**
           **keyframe**
               add extradata to all key packets

           **e**
           **all** add extradata to all packets

       If not specified it is assumed **k**.

       For example the following **ffmpeg** command forces a global header (thus disabling individual
       packet headers) in the H.264 packets generated by the "libx264" encoder, but corrects them by
       adding the header stored in extradata to the key packets:

               ffmpeg -i INPUT -map 0 -flags:v +global_header -c:v libx264 -bsf:v dump_extra out.ts

   **eac3**___**core**
       Extract the core from a E-AC-3 stream, dropping extra channels.

   **extract**___**extradata**
       Extract the in-band extradata.

       Certain codecs allow the long-term headers (e.g. MPEG-2 sequence headers, or H.264/HEVC
       (VPS/)SPS/PPS) to be transmitted either "in-band" (i.e. as a part of the bitstream containing
       the coded frames) or "out of band" (e.g. on the container level). This latter form is called
       "extradata" in FFmpeg terminology.

       This bitstream filter detects the in-band headers and makes them available as extradata.

### remove
           When this option is enabled, the long-term headers are removed from the bitstream after
           extraction.

   **filter**___**units**
       Remove units with types in or not in a given set from the stream.

       **pass**___**types**
           List of unit types or ranges of unit types to pass through while removing all others.
           This is specified as a '|'-separated list of unit type values or ranges of values with
           '-'.

       **remove**___**types**
           Identical to **pass**___**types**, except the units in the given set removed and all others passed
           through.

       Extradata is unchanged by this transformation, but note that if the stream contains inline
       parameter sets then the output may be unusable if they are removed.

       For example, to remove all non-VCL NAL units from an H.264 stream:

               ffmpeg -i INPUT -c:v copy -bsf:v 'filter_units=pass_types=1-5' OUTPUT

       To remove all AUDs, SEI and filler from an H.265 stream:

               ffmpeg -i INPUT -c:v copy -bsf:v 'filter_units=remove_types=35|38-40' OUTPUT

   **hapqa**___**extract**
       Extract Rgb or Alpha part of an HAPQA file, without recompression, in order to create an HAPQ
       or an HAPAlphaOnly file.

### texture
           Specifies the texture to keep.

           **color**
           **alpha**

       Convert HAPQA to HAPQ

               ffmpeg -i hapqa_inputfile.mov -c copy -bsf:v hapqa_extract=texture=color -tag:v HapY -metadata:s:v:0 encoder="HAPQ" hapq_file.mov

       Convert HAPQA to HAPAlphaOnly

               ffmpeg -i hapqa_inputfile.mov -c copy -bsf:v hapqa_extract=texture=alpha -tag:v HapA -metadata:s:v:0 encoder="HAPAlpha Only" hapalphaonly_file.mov

   **h264**___**metadata**
       Modify metadata embedded in an H.264 stream.

       **aud** Insert or remove AUD NAL units in all access units of the stream.

           **insert**
           **remove**
       **sample**___**aspect**___**ratio**
           Set the sample aspect ratio of the stream in the VUI parameters.

       **overscan**___**appropriate**___**flag**
           Set whether the stream is suitable for display using overscan or not (see H.264 section
           E.2.1).

       **video**___**format**
       **video**___**full**___**range**___**flag**
           Set the video format in the stream (see H.264 section E.2.1 and table E-2).

       **colour**___**primaries**
       **transfer**___**characteristics**
       **matrix**___**coefficients**
           Set the colour description in the stream (see H.264 section E.2.1 and tables E-3, E-4 and
           E-5).

       **chroma**___**sample**___**loc**___**type**
           Set the chroma sample location in the stream (see H.264 section E.2.1 and figure E-1).

       **tick**___**rate**
           Set the tick rate (num_units_in_tick / time_scale) in the VUI parameters.  This is the
           smallest time unit representable in the stream, and in many cases represents the field
           rate of the stream (double the frame rate).

       **fixed**___**frame**___**rate**___**flag**
           Set whether the stream has fixed framerate - typically this indicates that the framerate
           is exactly half the tick rate, but the exact meaning is dependent on interlacing and the
           picture structure (see H.264 section E.2.1 and table E-6).

       **crop**___**left**
       **crop**___**right**
       **crop**___**top**
       **crop**___**bottom**
           Set the frame cropping offsets in the SPS.  These values will replace the current ones if
           the stream is already cropped.

           These fields are set in pixels.  Note that some sizes may not be representable if the
           chroma is subsampled or the stream is interlaced (see H.264 section 7.4.2.1.1).

       **sei**___**user**___**data**
           Insert a string as SEI unregistered user data.  The argument must be of the form
           _UUID+string_, where the UUID is as hex digits possibly separated by hyphens, and the
           string can be anything.

           For example, **086f3693-b7b3-4f2c-9653-21492feee5b8+hello** will insert the string ``hello''
           associated with the given UUID.

       **delete**___**filler**
           Deletes both filler NAL units and filler SEI messages.

### level
           Set the level in the SPS.  Refer to H.264 section A.3 and tables A-1 to A-5.

           The argument must be the name of a level (for example, **4.2**), a level_idc value (for
           example, **42**), or the special name **auto** indicating that the filter should attempt to guess
           the level from the input stream properties.

   **h264**___**mp4toannexb**
       Convert an H.264 bitstream from length prefixed mode to start code prefixed mode (as defined
       in the Annex B of the ITU-T H.264 specification).

       This is required by some streaming formats, typically the MPEG-2 transport stream format
       (muxer "mpegts").

       For example to remux an MP4 file containing an H.264 stream to mpegts format with **ffmpeg**, you
       can use the command:

               ffmpeg -i INPUT.mp4 -codec copy -bsf:v h264_mp4toannexb OUTPUT.ts

       Please note that this filter is auto-inserted for MPEG-TS (muxer "mpegts") and raw H.264
       (muxer "h264") output formats.

   **h264**___**redundant**___**pps**
       This applies a specific fixup to some Blu-ray streams which contain redundant PPSs modifying
       irrelevant parameters of the stream which confuse other transformations which require correct
       extradata.

       A new single global PPS is created, and all of the redundant PPSs within the stream are
       removed.

   **hevc**___**metadata**
       Modify metadata embedded in an HEVC stream.

       **aud** Insert or remove AUD NAL units in all access units of the stream.

           **insert**
           **remove**
       **sample**___**aspect**___**ratio**
           Set the sample aspect ratio in the stream in the VUI parameters.

       **video**___**format**
       **video**___**full**___**range**___**flag**
           Set the video format in the stream (see H.265 section E.3.1 and table E.2).

       **colour**___**primaries**
       **transfer**___**characteristics**
       **matrix**___**coefficients**
           Set the colour description in the stream (see H.265 section E.3.1 and tables E.3, E.4 and
           E.5).

       **chroma**___**sample**___**loc**___**type**
           Set the chroma sample location in the stream (see H.265 section E.3.1 and figure E.1).

       **tick**___**rate**
           Set the tick rate in the VPS and VUI parameters (num_units_in_tick / time_scale).
           Combined with **num**___**ticks**___**poc**___**diff**___**one**, this can set a constant framerate in the stream.
           Note that it is likely to be overridden by container parameters when the stream is in a
           container.

       **num**___**ticks**___**poc**___**diff**___**one**
           Set poc_proportional_to_timing_flag in VPS and VUI and use this value to set
           num_ticks_poc_diff_one_minus1 (see H.265 sections 7.4.3.1 and E.3.1).  Ignored if
           **tick**___**rate** is not also set.

       **crop**___**left**
       **crop**___**right**
       **crop**___**top**
       **crop**___**bottom**
           Set the conformance window cropping offsets in the SPS.  These values will replace the
           current ones if the stream is already cropped.

           These fields are set in pixels.  Note that some sizes may not be representable if the
           chroma is subsampled (H.265 section 7.4.3.2.1).

### level
           Set the level in the VPS and SPS.  See H.265 section A.4 and tables A.6 and A.7.

           The argument must be the name of a level (for example, **5.1**), a _general_level_idc_ value
           (for example, **153** for level 5.1), or the special name **auto** indicating that the filter
           should attempt to guess the level from the input stream properties.

   **hevc**___**mp4toannexb**
       Convert an HEVC/H.265 bitstream from length prefixed mode to start code prefixed mode (as
       defined in the Annex B of the ITU-T H.265 specification).

       This is required by some streaming formats, typically the MPEG-2 transport stream format
       (muxer "mpegts").

       For example to remux an MP4 file containing an HEVC stream to mpegts format with **ffmpeg**, you
       can use the command:

               ffmpeg -i INPUT.mp4 -codec copy -bsf:v hevc_mp4toannexb OUTPUT.ts

       Please note that this filter is auto-inserted for MPEG-TS (muxer "mpegts") and raw HEVC/H.265
       (muxer "h265" or "hevc") output formats.

### imxdump
       Modifies the bitstream to fit in MOV and to be usable by the Final Cut Pro decoder. This
       filter only applies to the mpeg2video codec, and is likely not needed for Final Cut Pro 7 and
       newer with the appropriate **-tag:v**.

       For example, to remux 30 MB/sec NTSC IMX to MOV:

               ffmpeg -i input.mxf -c copy -bsf:v imxdump -tag:v mx3n output.mov

### mjpeg2jpeg
       Convert MJPEG/AVI1 packets to full JPEG/JFIF packets.

       MJPEG is a video codec wherein each video frame is essentially a JPEG image. The individual
       frames can be extracted without loss, e.g. by

               ffmpeg -i ../some_mjpeg.avi -c:v copy frames_%d.jpg

       Unfortunately, these chunks are incomplete JPEG images, because they lack the DHT segment
       required for decoding. Quoting from
       <**<http://www.digitalpreservation.gov/formats/fdd/fdd000063.shtml>**>:

       Avery Lee, writing in the rec.video.desktop newsgroup in 2001, commented that "MJPEG, or at
       least the MJPEG in AVIs having the MJPG fourcc, is restricted JPEG with a fixed -- and
       *omitted* -- Huffman table. The JPEG must be YCbCr colorspace, it must be 4:2:2, and it must
       use basic Huffman encoding, not arithmetic or progressive. . . . You can indeed extract the
       MJPEG frames and decode them with a regular JPEG decoder, but you have to prepend the DHT
       segment to them, or else the decoder won't have any idea how to decompress the data. The
       exact table necessary is given in the OpenDML spec."

       This bitstream filter patches the header of frames extracted from an MJPEG stream (carrying
       the AVI1 header ID and lacking a DHT segment) to produce fully qualified JPEG images.

               ffmpeg -i mjpeg-movie.avi -c:v copy -bsf:v mjpeg2jpeg frame_%d.jpg
               exiftran -i -9 frame*.jpg
               ffmpeg -i frame_%d.jpg -c:v copy rotated.avi

### mjpegadump
       Add an MJPEG A header to the bitstream, to enable decoding by Quicktime.

### mov2textsub
       Extract a representable text file from MOV subtitles, stripping the metadata header from each
       subtitle packet.

       See also the **text2movsub** filter.

### mp3decomp
       Decompress non-standard compressed MP3 audio headers.

   **mpeg2**___**metadata**
       Modify metadata embedded in an MPEG-2 stream.

       **display**___**aspect**___**ratio**
           Set the display aspect ratio in the stream.

           The following fixed values are supported:

           **4/3**
           **16/9**
           **221/100**

           Any other value will result in square pixels being signalled instead (see H.262 section
           6.3.3 and table 6-3).

       **frame**___**rate**
           Set the frame rate in the stream.  This is constructed from a table of known values
           combined with a small multiplier and divisor - if the supplied value is not exactly
           representable, the nearest representable value will be used instead (see H.262 section
           6.3.3 and table 6-4).

       **video**___**format**
           Set the video format in the stream (see H.262 section 6.3.6 and table 6-6).

       **colour**___**primaries**
       **transfer**___**characteristics**
       **matrix**___**coefficients**
           Set the colour description in the stream (see H.262 section 6.3.6 and tables 6-7, 6-8 and
           6-9).

   **mpeg4**___**unpack**___**bframes**
       Unpack DivX-style packed B-frames.

       DivX-style packed B-frames are not valid MPEG-4 and were only a workaround for the broken
       Video for Windows subsystem.  They use more space, can cause minor AV sync issues, require
       more CPU power to decode (unless the player has some decoded picture queue to compensate the
       2,0,2,0 frame per packet style) and cause trouble if copied into a standard container like
       mp4 or mpeg-ps/ts, because MPEG-4 decoders may not be able to decode them, since they are not
       valid MPEG-4.

       For example to fix an AVI file containing an MPEG-4 stream with DivX-style packed B-frames
       using **ffmpeg**, you can use the command:

               ffmpeg -i INPUT.avi -codec copy -bsf:v mpeg4_unpack_bframes OUTPUT.avi

### noise
       Damages the contents of packets or simply drops them without damaging the container. Can be
       used for fuzzing or testing error resilience/concealment.

       Parameters:

### amount
           A numeral string, whose value is related to how often output bytes will be modified.
           Therefore, values below or equal to 0 are forbidden, and the lower the more frequent
           bytes will be modified, with 1 meaning every byte is modified.

### dropamount
           A numeral string, whose value is related to how often packets will be dropped.
           Therefore, values below or equal to 0 are forbidden, and the lower the more frequent
           packets will be dropped, with 1 meaning every packet is dropped.

       The following example applies the modification to every byte but does not drop any packets.

               ffmpeg -i INPUT -c copy -bsf noise[=1] output.mkv

### null
       This bitstream filter passes the packets through unchanged.

   **pcm**___**rechunk**
       Repacketize PCM audio to a fixed number of samples per packet or a fixed packet rate per
       second. This is similar to the **asetnsamples** **audio** **filter** but works on audio packets instead
       of audio frames.

       **nb**___**out**___**samples,** **n**
           Set the number of samples per each output audio packet. The number is intended as the
           number of samples _per_ _each_ _channel_. Default value is 1024.

### pad, p
           If set to 1, the filter will pad the last audio packet with silence, so that it will
           contain the same number of samples (or roughly the same number of samples, see
           **frame**___**rate**) as the previous ones. Default value is 1.

       **frame**___**rate,** **r**
           This option makes the filter output a fixed number of packets per second instead of a
           fixed number of samples per packet. If the audio sample rate is not divisible by the
           frame rate then the number of samples will not be constant but will vary slightly so that
           each packet will start as close to the frame boundary as possible. Using this option has
           precedence over **nb**___**out**___**samples**.

       You can generate the well known 1602-1601-1602-1601-1602 pattern of 48kHz audio for NTSC
       frame rate using the **frame**___**rate** option.

               ffmpeg -f lavfi -i sine=r=48000:d=1 -c pcm_s16le -bsf pcm_rechunk=r=30000/1001 -f framecrc -

   **prores**___**metadata**
       Modify color property metadata embedded in prores stream.

       **color**___**primaries**
           Set the color primaries.  Available values are:

           **auto**
               Keep the same color primaries property (default).

           **unknown**
           **bt709**
           **bt470bg**
               BT601 625

           **smpte170m**
               BT601 525

           **bt2020**
           **smpte431**
               DCI P3

           **smpte432**
               P3 D65

       **transfer**___**characteristics**
           Set the color transfer.  Available values are:

           **auto**
               Keep the same transfer characteristics property (default).

           **unknown**
           **bt709**
               BT 601, BT 709, BT 2020

           **smpte2084**
               SMPTE ST 2084

           **arib-std-b67**
               ARIB STD-B67

       **matrix**___**coefficients**
           Set the matrix coefficient.  Available values are:

           **auto**
               Keep the same colorspace property (default).

           **unknown**
           **bt709**
           **smpte170m**
               BT 601

           **bt2020nc**

       Set Rec709 colorspace for each frame of the file

               ffmpeg -i INPUT -c copy -bsf:v prores_metadata=color_primaries=bt709:color_trc=bt709:colorspace=bt709 output.mov

       Set Hybrid Log-Gamma parameters for each frame of the file

               ffmpeg -i INPUT -c copy -bsf:v prores_metadata=color_primaries=bt2020:color_trc=arib-std-b67:colorspace=bt2020nc output.mov

   **remove**___**extra**
       Remove extradata from packets.

       It accepts the following parameter:

### freq
           Set which frame types to remove extradata from.

           **k**   Remove extradata from non-keyframes only.

           **keyframe**
               Remove extradata from keyframes only.

           **e,** **all**
               Remove extradata from all frames.

### setts
       Set PTS and DTS in packets.

       It accepts the following parameters:

       **ts**
### pts
       **dts** Set expressions for PTS, DTS or both.

       The expressions are evaluated through the eval API and can contain the following constants:

       **N**   The count of the input packet. Starting from 0.

       **TS**  The demux timestamp in input in case of "ts" or "dts" option or presentation timestamp in
           case of "pts" option.

       **POS** The original position in the file of the packet, or undefined if undefined for the
           current packet

       **DTS** The demux timestamp in input.

       **PTS** The presentation timestamp in input.

       **STARTDTS**
           The DTS of the first packet.

       **STARTPTS**
           The PTS of the first packet.

       **PREV**___**INDTS**
           The previous input DTS.

       **PREV**___**INPTS**
           The previous input PTS.

       **PREV**___**OUTDTS**
           The previous output DTS.

       **PREV**___**OUTPTS**
           The previous output PTS.

       **TB**  The timebase of stream packet belongs.

       **SR**  The sample rate of stream packet belongs.

### text2movsub
       Convert text subtitles to MOV subtitles (as used by the "mov_text" codec) with metadata
       headers.

       See also the **mov2textsub** filter.

   **trace**___**headers**
       Log trace output containing all syntax elements in the coded stream headers (everything above
       the level of individual coded blocks).  This can be useful for debugging low-level stream
       issues.

       Supports AV1, H.264, H.265, (M)JPEG, MPEG-2 and VP9, but depending on the build only a subset
       of these may be available.

   **truehd**___**core**
       Extract the core from a TrueHD stream, dropping ATMOS data.

   **vp9**___**metadata**
       Modify metadata embedded in a VP9 stream.

       **color**___**space**
           Set the color space value in the frame header.  Note that any frame set to RGB will be
           implicitly set to PC range and that RGB is incompatible with profiles 0 and 2.

           **unknown**
           **bt601**
           **bt709**
           **smpte170**
           **smpte240**
           **bt2020**
           **rgb**
       **color**___**range**
           Set the color range value in the frame header.  Note that any value imposed by the color
           space will take precedence over this value.

           **tv**
           **pc**

   **vp9**___**superframe**
       Merge VP9 invisible (alt-ref) frames back into VP9 superframes. This fixes merging of
       split/segmented VP9 streams where the alt-ref frame was split from its visible counterpart.

   **vp9**___**superframe**___**split**
       Split VP9 superframes into single frames.

   **vp9**___**raw**___**reorder**
       Given a VP9 stream with correct timestamps but possibly out of order, insert additional show-
       existing-frame packets to correct the ordering.

## SEE ALSO
       [**ffmpeg**(1)](https://www.chedong.com/phpMan.php/man/ffmpeg/1/markdown), [**ffplay**(1)](https://www.chedong.com/phpMan.php/man/ffplay/1/markdown), [**ffprobe**(1)](https://www.chedong.com/phpMan.php/man/ffprobe/1/markdown), [**libavcodec**(3)](https://www.chedong.com/phpMan.php/man/libavcodec/3/markdown)

## AUTHORS
       The FFmpeg developers.

       For details about the authorship, see the Git history of the project
       (git://source.ffmpeg.org/ffmpeg), e.g. by typing the command **git** **log** in the FFmpeg source
       directory, or browsing the online repository at <**<http://source.ffmpeg.org>**>.

       Maintainers for the specific components are listed in the file _MAINTAINERS_ in the source code
       tree.



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